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The
Local. A quiet pint. Brown Ale or Back and Tan! Black Velvet or
Golden Ale! For the ladies a Babycham or Export or maybe a Light
Ale. Those were the days!
Max
Miller the 'Cheeky Chappie' Didn't think he was very funny then. I
probably didn't understand his jokes!
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Johnnie
Ray was born on January 10, 1927 in Dallas, Oregon. He was
partially deaf
since
childhood and began wearing a hearing aid at age 14. Ray had a
very emotional delivery when he sang a song, and it became
fodder for comedians and mimics. Johnnie Ray put 25 hits in
the top thirty from 1951 to 1957. On many he was backed by Ray
Conniff's Orchestra and Chorus. His final two to reach the top
ten were Just Walking In The Rain and a song that had been
written by Marty Robbins, You Don't Owe Me A Thing. The only
LP that he put in the top twenty was The Big Beat in 1957.
The Raleigh Chopper was a children's bicycle
manufactured and
marketed
in the 1970s by the Raleigh Company of Nottingham, England.
Its unique design became a true 70s cult icon, and is fondly
remembered by many who grew up in that period. Based on the
look of a customised chopper motorcycle, made popular with
films such as Easy Rider, the Chopper bike was the "must have"
item and signifier of coolness for any kid at the time. Even I
rode around Jarrow and South Shields on one.
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Remember
when it was "OK" to smoke 'tabs'?
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Click
the Edison phonograph
to hear the voice of Thomas Edison |
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Who Are
We?
We were born before
television, before penicillin, polio shots, frozen foods, Xerox, plastic,
contact lenses, Frisbees and the pill. We were born before radar, credit
cards, split atoms, laser beams, and ball-point pens; before dishwashers,
tumble dryers, electric blankets, air conditioners, drip dry
clothes.......
We got married first and then lived together. We thought "fast food" was
what you ate in Lent, a "Big Mac" was an oversized raincoat, and "crumpet"
was what you had for tea. We existed before house husbands, computer
dating,
dual careers, when a "meaningful relationship" meant getting along
with your cousins, and "sheltered accommodation" was where you waited for
the bus.(lol) We had never heard of FM radio, tape decks, word processors,
yoghurt, pizzas, or young men wearing earrings. For us a "chip" was piece
of
wood or a fried potato, "hardware" meant nuts and bolts and "software"
wasn't a word. The term "making out" referred to how you did in exams,
"stud" was something that fastened your clothes and "going all the way"
meant staying on the double-decker bus to the depot.........giggle!
In our day, cigarette smoking was fashionable, "grass" was mown, "coke"
was kept in the coal shed, and a "joint" was the piece of meat you ate on
Sundays. "Rock music" was a lullaby and a "gay person" was the life and
soul of the party. (Above right: Simon Dee)
No wonder we are so confused.
And how old are we?
Just hitting 60! or maybe 70! But we are not old, just unwanted!
I
Remember!
At 6.45 in the evening the streets we would clear the streets to the cry
of "Dick Barton's on" An eerie silence would descend over the country.
Families would huddle round the wireless, to listen to 'Dick Barton
Special Agent'. The exploits of Dick, Jock and Snowy, keeping the world
safe for us mortals was the programme that kept the whole of Britain in
it's grip.
Vic
Oliver was a regular on such programmes as Henry Hall's Guest Night and
Workers Playtime. He made me laugh. I can still hear his voice and
remember Victor Sylvester whom I hated. Still do!
Gracie Fields (1898 - 1979)
Her rags-to-riches story inspired a nation: from a back street terrace in
Rochdale to a villa in Capri, armed with nothing but a glorious voice and
bags of personality.
She was born over a chip shop, and from an early age was pushed by her
mother into talent shows and reviews (not that she needed much pushing).
By her teens she was touring the halls. She met her first husband,
struggling comic Archie Pitt, in 1915. He soon became her manager and
built a show around her, Tower of London, which toured the provinces for
four years.
She
worked hard through the 20s, at one point appearing in four different
productions each evening. By the time talkies arrived, she was a huge star
and it was inevitable she appeared in films.
She signed with Basil Dean at ATP. She hated filming and she loathed Dean
(the feeling was mutual) but the public loved the result. This success,
and her reluctance to film, kept her price high. She met director Monte
Banks while making Queen of Hearts and they soon hit it off. Her marriage
to Pitt was failing and after the divorce she married Banks in 1940.
Unfortunately, Banks was still an Italian citizen and would have been
interned when Italy entered the war. The couple went to Canada to raise
funds for war charities and the press went wild. They accused Gracie of
fleeing the country out of fear and taking her wealth with her. She denied
this, though much of her family had moved to America "for health reasons".
Whatever her reasons for going, she was soon back; touring factories and
army posts at home and abroad, and making innumerable radio broadcasts.
The press were still against her, but her audience remained loyal.
After the war, she started to slow down her workload. Banks died in 1950
(a heart attack on the Orient Express), but she soon took husband number
three. He was Boris Alperovici, a stateless resident of Capri. Love
blossomed and they were soon married. Despite being semi-retired she
continued to make special appearances notably on the Stars on Sunday TV
series in the early 70s.
In 1979 she was made a Dame of the British Empire and died later in the
same year of a heart attack. She left behind a string of songs which she
made her own (Sally, Wish Me Luck, Sing As We Go, The Biggest Aspidistra
in the World) and some classic films. In an era dominated by Mayfair
accents, she was one of the few working-class women to keep her identity
and translate it into worldwide success.
The Festival of
Britain was a national exhibition which opened in London and
around
Britain in May 1951. The principal exhibition site was on the south bank
of the Thames next to Waterloo station . At that time, shortly after the
end of World War II, much of London was in ruins and redevelopment was
badly needed. The Festival was an attempt to give Britons a feeling of
recovery and progress and to promote better-quality design in the
rebuilding of British towns and cities following the war. |